The official Tolkien calendar, this year containing 13 stunning paintings inspired by J.R.R. Tolkien’s THE FALL OF NÚMENOR. Featuring breathtaking artwork by Alan Lee, with two new pieces unique to this calendar. The official Tolkien calendar has become an established publishing event, eagerly anticipated by Tolkien fans the world over. Previous Tolkien calendars have become much sought after collector’s items, and this year’s will doubtless be an essential purchase for Middle-earth fans everywhere. This year’s calendar features 13 full-colour paintings of scenes from across the Second Age of Middle-earth. Famously described by Tolkien as a ‘dark age, and not very much of its history is (or need be) told’, for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dûr and the rise of Sauron. Now presented for the first time in calendar form, with two new paintings from the doyen of Tolkien art, Alan Lee, and with an insightful introduction by Brian Sibley, Tolkien fans can discover the Second Age in greater depth than ever before.

Iris Compiet is the rarest of artist: That who invokes a complete and cohesive reality with every image she creates. Beautiful, powerful and contemplative all at once. — Guillermo Del Toro Let me tell you about Faeries, let me take you away on a journey, an adventure. The Faultlines is an ancient name given to those places where the veil between this world and the Other is thinnest. It is the place where faeries dwell, creatures creep, and magic oozes through the cracks. Recently the Faultlines have been stirring, opening up to all who wish to see, and to all who dare to venture... Faeries of the Faultlines was an instant Kickstarter success in 2017, and this edited, expanded edition includes the complete original documentation from the greenmen to mermaids, with expanded sections and many more faeries to meet! “Iris Compiet’s work is an astonishing and masterful revelation of the Faery Realms. She is an artist who, with stunning alacrity, reveals the fleeting personalities of the normally unseen.� —Brian Froud “Iris summons and draws upon the forces that are necessary in giving life to such creatures—imagination, an intelligent curiosity, and a relentless energy. The Faeries are lucky to have her!" —Alan Lee "I have known Iris for many years. I have watched her find her voice. I am enchanted by her vision." —John Howe

J.R.R. Tolkien's writings on the Second Age of Middle-earth, collected for the first time in one volume. J.R.R. Tolkien famously described the Second Age of Middle-earth as a 'dark age, and not very much of its history is (or need be) told'. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dur and the rise of Sauron. It was not until Christopher Tolkien published The Silmarillion after his father's death that a fuller story could be told. Although much of the book's content concerned the First Age of Middle-earth, there were at its close two key works that revealed the tumultuous events concerning the rise and fall of the island of Numenor. Raised out of the Great Sea and gifted to the Men of Middle-earth as a reward for aiding the angelic Valar and the Elves in the defeat and capture of the Dark Lord Morgoth, the kingdom became a seat of influence and wealth; but as the Numenoreans' power increased, the seed of their downfall would inevitably be sown, culminating in the Last Alliance of Elves and Men. Even greater insight into the Second Age would be revealed in subsequent publications, first in Unfinished Tales of Numenor and Middle-earth, then expanded upon in Christopher Tolkien's magisterial twelve-volume The History of Middle-earth, in which he presented and discussed a wealth of further tales written by his father, many in draft form. Now, adhering to the timeline of 'The Tale of Years' in the appendices to The Lord of the Rings, editor Brian Sibley has assembled into one comprehensive volume a new chronicle of the Second Age of Middle-earth, told substantially in the words of J.R.R. Tolkien from the various published texts, with new pencil illustrations by the doyen of Tolkien art, Alan Lee.

Read the classic edition of Bilbo Baggins' adventures in Middle-earth. Featuring more than 60 colour paintings and pencil drawings by the award-winning artist, Alan Lee, Conceptual Designer on Peter Jackson's THE HOBBIT trilogy. Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey 'there and back again'. They have a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon... The prelude to The Lord of the Rings, The Hobbit has sold many millions of copies since its publication in 1937, establishing itself as one of the most beloved and influential books of the twentieth century. It is now available in a smart new package, and is illustrated throughout in gorgeous watercolour and delicate pencil by Alan Lee, Conceptual Artist for Peter Jackson's films, THE HOBBIT: AN UNEXPECTED JOURNEY and THE HOBBIT: THERE AND BACK AGAIN.

J.R.R. Tolkien's writings on the Second Age of Middle-earth, collected for the first time in one volume. J.R.R. Tolkien famously described the Second Age of Middle-earth as a 'dark age, and not very much of its history is (or need be) told'. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dur and the rise of Sauron. It was not until Christopher Tolkien published The Silmarillion after his father's death that a fuller story could be told. Although much of the book's content concerned the First Age of Middle-earth, there were at its close two key works that revealed the tumultuous events concerning the rise and fall of the island of Numenor. Raised out of the Great Sea and gifted to the Men of Middle-earth as a reward for aiding the angelic Valar and the Elves in the defeat and capture of the Dark Lord Morgoth, the kingdom became a seat of influence and wealth; but as the Numenoreans' power increased, the seed of their downfall would inevitably be sown, culminating in the Last Alliance of Elves and Men. Even greater insight into the Second Age would be revealed in subsequent publications, first in Unfinished Tales of Numenor and Middle-earth, then expanded upon in Christopher Tolkien's magisterial twelve-volume The History of Middle-earth, in which he presented and discussed a wealth of further tales written by his father, many in draft form. Now, adhering to the timeline of 'The Tale of Years' in the appendices to The Lord of the Rings, editor Brian Sibley has assembled into one comprehensive volume a new chronicle of the Second Age of Middle-earth, told substantially in the words of J.R.R. Tolkien from the various published texts, with new illustrations in watercolour and pencil by the doyen of Tolkien art, Alan Lee.

This is the definitive collection of Tolkien's five acclaimed modern classic 'fairie' tales in the vein of The Hobbit, fully corrected and reset for this edition and all beautifully illustrated in pencil by the award-winning artist, Alan Lee. The five tales are written with the same skill, quality and charm that made The Hobbit a classic. Largely overlooked because of their short lengths, they are finally together in a volume which reaffirms Tolkien's place as a master storyteller for readers young and old. Roverandom is a toy dog who, enchanted by a sand sorcerer, gets to explore the world and encounter strange and fabulous creatures. Farmer Giles of Ham is fat and unheroic, but - having unwittingly managed to scare off a short-sighted giant - is called upon to do battle when a dragon comes to town; The Adventures of Tom Bombadil tells in verse of Tom's many adventures with hobbits, princesses, dwarves and trolls; Leaf by Niggle recounts the strange adventures of the painter Niggle who sets out to paint the perfect tree; Smith of Wootton Major journeys to the Land of Faery thanks to the magical ingredients of the Great Cake of the Feast of Good Children. This new collection is fully illustrated throughout by Oscar-winning artist, Alan Lee, who provides a wealth of pencil drawings to bring the stories to life as he did so memorably for The Hobbit and The Children of Hurin. Alan also provides an Afterword, in which he opens the door into illustrating Tolkien's world. Taken together, this rich collection of tales from the author of The Children of Hurin will provide the reader with a fascinating journey into lands as wild and strange as Middle-earth.

J.R.R. Tolkien's writings on the Second Age of Middle-earth, collected for the first time in one deluxe slipcased edition. J.R.R. Tolkien famously described the Second Age of Middle-earth as a 'dark age, and not very much of its history is (or need be) told'. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dur and the rise of Sauron. It was not until Christopher Tolkien published The Silmarillion after his father's death that a fuller story could be told. Although much of the book's content concerned the First Age of Middle-earth, there were at its close two key works that revealed the tumultuous events concerning the rise and fall of the island of Numenor. Gifted to the Men of Middle-earth as a reward for aiding in the defeat of the Dark Lord Morgoth, the kingdom became a seat of influence and wealth; but as the Numenoreans' power increased, the seed of their downfall would inevitably be sown, culminating in the Last Alliance of Elves and Men. Further insight into the Second Age would be revealed in subsequent publications, first in Unfinished Tales of Numenor and Middle-earth, then expanded upon in Christopher Tolkien's twelve-volume The History of Middle-earth. Now, adhering to the timeline of 'The Tale of Years' in the appendices to The Lord of the Rings, editor Brian Sibley has assembled into one volume a new chronicle of the Second Age of Middle-earth, told substantially in the words of J.R.R. Tolkien from the various published texts, with 10 new paintings and 65 pencil drawings by Alan Lee. This deluxe slipcased edition is quarterbound in terracotta and printed on heavyweight acid-free paper, stamped in gold foil on dove grey boards with a unique motif designed by Alan Lee, includes a ribbon marker and is housed in a custom-built matching slipcase.

Boxed gift set of Tolkien’s classic masterpieces, fully illustrated throughout in watercolour by the acclaimed and award-winning artist, Alan Lee, Conceptual Designer on Peter Jackson’s THE HOBBIT films.

Since they were first published, The Hobbit and The Lord of the Rings have been two books people have treasured. Steeped in unrivalled magic and otherworldliness, these works of sweeping fantasy have touched the hearts of young and old alike. Between them, nearly 150 million copies have been sold around the world. And no editions have proved more popular than the two that were illustrated by award-winning artist, Alan Lee – the Centenary edition of The Lord of the Rings and the 60th Anniversary edition of The Hobbit.

Now, the new hardback editions of these beautifully illustrated works have been collected together into one boxed set of four books. Readers will be able to follow the complete story of the Hobbits and their part in the quest for the Ring – beginning with Bilbo’s fateful visit from Gandalf and culminating in the dramatic climax between Frodo and Gollum atop Mount Doom – while also enjoying over seventy full-page colour paintings and numerous illustrations which accompany this epic tale.

Painstakingly restored from Tolkien's manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and Luthien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien's Middle-earth. The tale of Beren and Luthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and Luthien: for Beren was a mortal man, but Luthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Luthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Luthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and Luthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.

This richly illustrated book celebrates in words and pictures the beautiful work that award-winning artist Alan Lee produced for J.R.R. Tolkien's The Hobbit, and includes dozens of brand-new paintings and pencil drawings exploring the world of Bilbo Baggins. Since The Hobbit was first published in 1937, generations of readers have fallen under its spell. That magic was reignited sixty years later, when Alan Lee was commissioned to produce a special illustrated edition, and his delicate pencil drawings and beautiful watercolour paintings have become for many the definitive vision of J.R.R. Tolkien's Middle-earth. In this sumptuous, large-format hardback Alan Lee reveals in pictures and in words how he created these images, which would prove so powerful, matching perfectly with Tolkien's own vision, that they would eventually define the look of Peter Jackson's film adaptations and earn Alan a coveted Academy Award. The Hobbit Sketchbook is filled with more than 100 of his sketches and early conceptual pieces that reveal how the project progressed from idea to finished art. It also contains a wealth of brand-new full-colour paintings and sketches drawn specially for this book, which unlock the secrets of how Alan creates his own magic and provide a fascinating insight into the imagination of the man who breathed new life into Tolkien's vision.

Painstakingly restored from Tolkien's manuscripts and presented for the first time as a fully continuous and standalone story, the epic tale of The Children of Hurin will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, dragons and Dwarves, eagles and Orcs, and the rich landscape and characters unique to Tolkien. There are tales of Middle-earth from times long before The Lord of the Rings, and the story told in this book is set in the great country that lay beyond the Grey Havens in the West: lands where Treebeard once walked, but which were drowned in the great cataclysm that ended the First Age of the World. In that remote time Morgoth, the first Dark Lord, dwelt in the vast fortress of Angband, the Hells of Iron, in the North; and the tragedy of Turin and his sister Nienor unfolded within the shadow of the fear of Angband and the war waged by Morgoth against the lands and secret cities of the Elves. Their brief and passionate lives were dominated by the elemental hatred that Morgoth bore them as the children of Hurin, the man who had dared to defy and to scorn him to his face. Against them he sent his most formidable servant, Glaurung, a powerful spirit in the form of a huge wingless dragon of fire. Into this story of brutal conquest and flight, of forest hiding-places and pursuit, of resistance with lessening hope, the Dark Lord and the Dragon enter in direly articulate form. Sardonic and mocking, Glaurung manipulated the fates of Turin and Nienor by lies of diabolic cunning and guile, and the curse of Morgoth was fulfilled. The earliest versions of this story by J.R.R. Tolkien go back to the end of the First World War and the years that followed; but long afterwards, when The Lord of the Rings was finished, he wrote it anew and greatly enlarged it in complexities of motive and character: it became the dominant story in his later work on Middle-earth. But he could not bring it to a final and finished form. In this book Christopher Tolkien has constructed, after long study of the manuscripts, a coherent narrative without any editorial invention.

Discover the creative processes and intriguing inspirations behind the work of leading fantasy artist John Howe - conceptual designer on The Lord of the Rings movie trilogy - in this comprehensive practical art book. Brings together Fantasy Art Workshop and Fantasy Drawing Workshop into a combined volume, fully updated and with new art. Examines in fascinating detail over 150 of the artist's outstanding sketches, drawings and paintings, plus the techniques and stories behind each. Leads you step-by-step through a range of specially commissioned drawing and painting demonstrations that reveal John's renowned artistic approach in action. Discusses the rewarding journey into fantasy art, from the first steps of building a compelling portfolio to book illustration, graphic novels and the big screen. This book will appeal to artists and fans of John Howe's work by leading you step-by-step through a range of specially commissioned demonstrations, sketches and finished paintings, some designed specifically for this book, that reveal John's renowned artistic approach in action, plus the techniques and stories behind each. It covers a wide range of subjects, beginning with the creative process, exploring where inspiration comes from, looking at narratives and themes, gathering reference materials, organizing your working environment, and protecting and storing artwork. Howe covers drawing materials and explores drawing and painting fantasy beings from initial inspiration and approaches to characters, symbolism and accoutrements. He begins by showing how to create different types of male and female archetypes, humans in action, armour and weapons, faces, expressions and hands, hair and costumes, and goes on to explain how to create different types of fantasy beasts: talons, wings, fangs and fire, and noble animals, interspersed throughout with exciting case studies. The book also explores fantasy landscapes and architecture and balancing light and dark atmospheres. The final section of the book provides further inspiration and guidance on presenting work in various forms, including film work, book covers and advertising, all areas John Howe has vast experience in. The foreword is written by groundbreaking film director Terry Gilliam, with an afterword by Alan Lee, John's partner on the conceptual design for The Lord of the Rings movie trilogy and Oscar-winning illustrator.

Painstakingly restored from Tolkien's manuscripts and presented for the first time as a fully continuous and standalone story, this illustrated paperback of the epic tale of The Children of Hurin will reunite fans of The Hobbit and The Lord of the Rings with Elves, dragons, Dwarves and Orcs, and the rich landscape and characters unique to Tolkien. It is a legendary time long before The Lord of the Rings, and Morgoth, the first Dark Lord, dwells in the vast fortress of Angband in the North; and within the shadow of the fear of Angband, and the war waged by Morgoth against the Elves, the fates of Turin and his sister Nienor will be tragically entwined. Their brief and passionate lives are dominated by the elemental hatred that Morgoth bears them as the children of Hurin, the man who dared to defy him to his face. Against them Morgoth sends his most formidable servant, Glaurung, a powerful spirit in the form of a huge wingless dragon of fire, in an attempt to fulfil the curse of Morgoth, and destroy the children of Hurin. Begun by J.R.R. Tolkien at the end of the First World War, The Children of Hurin became the dominant story in his later work on Middle-earth. But he could not bring it to a final and finished form. In this book Christopher Tolkien has constructed, after long study of the manuscripts, a coherent narrative without any editorial invention.

Painstakingly restored from Tolkien's manuscripts and presented for the first time as a standalone work, the epic tale of The Fall of Gondolin will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Balrogs, Dragons and Orcs and the rich landscape and creatures unique to Tolkien's Middle-earth. In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwe, chief of the Valar. Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo's desires and designs. Into this world comes Tuor, cousin of Turin, the instrument of Ulmo's designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon's daughter, and their son is Earendel, whose birth and profound importance in days to come is foreseen by Ulmo. At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Tuor and Idril, with the child Earendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Earendel, which Tolkien never wrote, but which is sketched out in this book from other sources. Following his presentation of Beren and Luthien Christopher Tolkien has used the same 'history in sequence' mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was 'the first real story of this imaginary world' and, together with Beren and Luthien and The Children of Hurin, he regarded it as one of the three 'Great Tales' of the Elder Days.

This is the definitive collection of Tolkien's five acclaimed modern classic 'fairie' tales in the vein of The Hobbit, fully corrected and reset for this edition and all beautifully illustrated in pencil by the award-winning artist, Alan Lee. The five tales are written with the same skill, quality and charm that made The Hobbit a classic. Largely overlooked because of their short lengths, they are finally together in a volume which reaffirms Tolkien's place as a master storyteller for readers young and old. Roverandom is a toy dog who, enchanted by a sand sorcerer, gets to explore the world and encounter strange and fabulous creatures. Farmer Giles of Ham is fat and unheroic, but - having unwittingly managed to scare off a short-sighted giant - is called upon to do battle when a dragon comes to town; The Adventures of Tom Bombadil tells in verse of Tom's many adventures with hobbits, princesses, dwarves and trolls; Leaf by Niggle recounts the strange adventures of the painter Niggle who sets out to paint the perfect tree; Smith of Wootton Major journeys to the Land of Faery thanks to the magical ingredients of the Great Cake of the Feast of Good Children. This new collection is fully illustrated throughout by Oscar-winning artist, Alan Lee, who provides a wealth of pencil drawings to bring the stories to life as he did so memorably for The Hobbit and The Children of Hurin. Alan also provides an Afterword, in which he opens the door into illustrating Tolkien's world. Taken together, this rich collection of tales from the author of The Children of Hurin will provide the reader with a fascinating journey into lands as wild and strange as Middle-earth.

Stunning 40th anniversary collector's edition of this collection of tales which takes readers further into stories told in The Hobbit, The Lord of the Rings and The Silmarillion, featuring 18 full-colour paintings, housed in a matching illustrated slipcase with two removable full-colour posters unique to this edition. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Hobbit and The Lord of the Rings with a whole collection of background and new stories. The book concentrates on the realm of Middle-earth and comprises such elements as The Quest of Erebor, Gandalf's lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End; the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand; and an exact description of the military organization of the Riders of Rohan. Unfinished Tales also contains the only story about the long ages of Numenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantiri and the legend of Amroth. The tales were edited by Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his father's writings. In celebration of its 40th anniversary, this new edition features 18 stunning paintings from critically acclaimed Tolkien artists, Alan Lee, John Howe & Ted Nasmith, which reveal the three Ages of Middle-earth like never before. This special collector's edition is printed on superior quality paper, features a unique special binding and ribbon marker and is housed in a custom-made, fully illustrated slipcase.

Painstakingly restored from Tolkien's manuscripts and presented for the first time as a fully continuous and standalone story, the epic tale of Beren and Luthien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien's Middle-earth. Beren was a mortal man, but Luthien was an immortal Elf. Her father, a great Elvish lord, was deeply opposed to Beren, and imposed on him an impossible task that he must perform before he might wed Luthien. Undaunted by Lord Thingol's challenge, Beren and Luthien embark on the supremely heroic attempt to rob Morgoth, the greatest of all evil beings, of a Silmaril, one of the hallowed jewels that adorn the Black Enemy's crown. The tale of Beren and Luthien, which was written shortly after J.R.R. Tolkien returned from the Battle of the Somme in 1916, was an essential element in the evolution of The Silmarillion. In this book Christopher Tolkien has extracted the various versions of Beren and Luthien from the comprehensive work in which they are embedded. To show something of the process whereby this Great Tale of Middle-earth evolved over the years, he tells the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.

* There truly is no book in the market that looks at how to help coaches implement programs in government. * Follows the stories of pioneers in the field and highlights their successes and failures to help readers learn from their mistakes * Includes case studies, reflective questions, 'how-to' actions points, and interviews * Takes the reader through the journey how to implement these programs from beginning to end * Examines how internal coaching was introduced and has since evolved in government * Written by leaders in the topic

A sumptuous new one-volume edition of Tolkien's classic masterpiece that is fully illustrated throughout in watercolour by the acclaimed and award-winning artist, Alan Lee, and housed in a special transparent slipcase. Since it was first published in 1954, The Lord of the Rings has been a book people have treasured. Steeped in unrivalled magic and otherworldliness, its sweeping fantasy has touched the hearts of young and old alike. Well over 100 million copies of its many editions have been sold around the world, and occasional collectors' editions become prized and valuable items of publishing. With the epic trilogy now an acclaimed, award-winning and billion-dollar success, images of the characters and landscapes have become iconic to a whole new generation of readers. Much of the look of these movies is based on Alan Lee's paintings, giving this sumptuous new edition of Tolkien's great work new relevance for the ever-growing number of fans. This new edition includes all 50 of Alan Lee's beautiful watercolour paintings that have been newly scanned by the artist himself, together with his stunning frontispiece painting that appears in full, for the very first time, as a three-page foldout sheet. The text has been reset using the definitive 50th anniversary text and is printed on high-quality paper, and this is accompanied by Tolkien's own maps, which are printed in red & black as endpapers. The unjacketed book features illustrated boards and includes a silk ribbon marker, and is housed in a special transparent slipcase; together with Alan's beautiful paintings, this new presentation of this landmark work provides the reader with the ultimate edition with which to celebrate the 60th anniversary of its first publication.

To celebrate its 40th anniversary, the first ever illustrated edition of this collection of tales which takes readers further into the stories told in The Hobbit, The Lord of the Rings and The Silmarillion, featuring 18 full-colour paintings depicting scenes from the First, Second and Third Ages of Middle-earth. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Hobbit and The Lord of the Rings with a whole collection of background and new stories. The book concentrates on the realm of Middle-earth and comprises such elements as The Quest of Erebor, Gandalf’s lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End; the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand; and an exact description of the military organization of the Riders of Rohan. Unfinished Tales also contains the only story about the long ages of Númenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantíri and the legend of Amroth. The tales were edited by Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his father’s writings. In celebration of its 40th anniversary, this new edition features 18 stunning paintings from critically acclaimed Tolkien artists, Alan Lee, John Howe & Ted Nasmith, which reveal the three Ages of Middle-earth like never before.

Painstakingly restored from Tolkien's manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and Luthien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien's Middle-earth. The tale of Beren and Luthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and Luthien: for Beren was a mortal man, but Luthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Luthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Luthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and Luthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.

In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwe, chief of the Valar. Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo's desires and designs. Into this world comes Tuor, cousin of Turin, the instrument of Ulmo's designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon's daughter, and their son is Earendel, whose birth and profound importance in days to come is foreseen by Ulmo. At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Tuor and Idril, with the child Earendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Earendel, which Tolkien never wrote, but which is sketched out in this book from other sources. Following his presentation of Beren and Luthien Christopher Tolkien has used the same 'history in sequence' mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was 'the first real story of this imaginary world' and, together with Beren and Luthien and The Children of Hurin, he regarded it as one of the three 'Great Tales' of the Elder Days.

The large print edition of the epic tale of The Children of Hurin reunites fans of The Hobbit and The Lord of the Rings with Elves, dragons, Dwarves and Orcs, and the rich landscape and characters unique to Tolkien. There are tales of Middle-earth from times long before The Lord of the Rings, and the story told in this book is set in the great country that lay beyond the Grey Havens in the West: lands where Treebeard once walked, but which were drowned in the great cataclysm that ended the First Age of the World. In that remote time Morgoth, the first Dark Lord, dwelt in the vast fortress of Angband, the Hells of Iron, in the North; and the tragedy of Turin and his sister Nienor unfolded within the shadow of the fear of Angband and the war waged by Morgoth against the lands and secret cities of the Elves. Their brief and passionate lives were dominated by the elemental hatred that Morgoth bore them as the children of Hurin, the man who had dared to defy and to scorn him to his face. Against them he sent his most formidable servant, Glaurung, a powerful spirit in the form of a huge wingless dragon of fire. Into this story of brutal conquest and flight, of forest hiding-places and pursuit, of resistance with lessening hope, the Dark Lord and the Dragon enter in direly articulate form. Sardonic and mocking, Glaurung manipulated the fates of Turin and Nienor by lies of diabolic cunning and guile, and the curse of Morgoth was fulfilled. The earliest versions of this story by J.R.R. Tolkien go back to the end of the First World War and the years that followed; but long afterwards, when The Lord of the Rings was finished, he wrote it anew and greatly enlarged it in complexities of motive and character: it became the dominant story in his later work on Middle-earth. But he could not bring it to a final and finished form. In this book Christopher Tolkien has constructed, after long study of the manuscripts, a coherent narrative without any editorial invention.

This de luxe collector's edition features the first edition text and eight full-colour plates, with an exclusive colour frontispiece illustration. The book is quarterbound with a special gold motif stamped on the front board and is presented in a matching slipcase. There are tales of Middle-earth from times long before The Lord of the Rings, and the story told in this book is set in the great country that lay beyond the Grey Havens in the West: lands where Treebeard once walked, but which were drowned in the great cataclysm that ended the First Age of the World. In that remote time Morgoth, the first Dark Lord, dwelt in the vast fortress of Angband, the Hells of Iron, in the North; and the tragedy of Turin and his sister Nienor unfolded within the shadow of the fear of Angband and the war waged by Morgoth against the lands and secret cities of the Elves. Their brief and passionate lives were dominated by the elemental hatred that Morgoth bore them as the children of Hurin, the man who had dared to defy and to scorn him to his face. Against them he sent his most formidable servant, Glaurung, a powerful spirit in the form of a huge wingless dragon of fire. Into this story of brutal conquest and flight, of forest hiding-places and pursuit, of resistance with lessening hope, the Dark Lord and the Dragon enter in direly articulate form. Sardonic and mocking, Glaurung manipulated the fates of Turin and Nienor by lies of diabolic cunning and guile, and the curse of Morgoth was fulfilled. The earliest versions of this story by J.R.R. Tolkien go back to the end of the First World War and the years that followed; but long afterwards, when The Lord of the Rings was finished, he wrote it anew and greatly enlarged it in complexities of motive and character: it became the dominant story in his later work on Middle-earth. But he could not bring it to a final and finished form. In this book Christopher Tolkien has constructed, after long study of the manuscripts, a coherent narrative without any editorial invention.